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Saturday 29th April 2006

Chemical warfare 29-04-06 @ MASS
Send an eFlyer for this event to a friend Include this Event in a Private Message Direct link to this Event
On: Saturday 29th April 2006
At: Mass [map]

From: 11pm - 7am
Cost: 13+bf advance more at the door
Website: www.mfmsound.com
Ticket Info: Tickets for the next Chemical Warfare are available in shops now. All the tickets in advanced are still £13+b/f only.

Ticket outlets


LONDON
accessallareas is currently moving to another location in camden for tickets outlet and ticket online please call

access all areas 0207 2678320
www.accessallareas.org

kinetec London 0207 3235303
www.kinetec-am.com

cyberdog camden town 2074822842
www.cyberdog.net

madrecords 02074390707
www.madrecords.net
Buy Online: Click here to buy tickets
More: M.F.M.SOUND is proude to introduce from SERBIA-MONTENEGRO the new rising techno star MARKO NASTIC PERFORMING ON 3 DECKS

techno legend BILLY NASTY PRESENTING A 3HR SPECIAL ELECTRO SET

CHRIS LIBERATOR-DAVE THE DRUMMER -MARK AXEL-FABSID-MARCO LENZI WILL BATTLE TOGHETER WITH THE MOST INTERESTING BACK2BACK YOU HAVE EVER SEEN BEFORE

20 DJS OVER 3 ROOMS FILLED WITH AN ECLECTIC VARIETY OF MUSIC FROM ALL OVER THE WORLD


Marko nastic: born on the 8th of september, 1979 in Belgrade, Serbia. At a very young age marko started showing an interest in all kinds of music and a passion towards mixing thanks to his uncle who was surrounded with records working as a DJ and playing Italo-disco at a local Belgrade radio station.

Marko bought his first record decks when he was 11. By the age of 12 he was caught up spending all of his pocket money on records. Soon he started playing at small clubs (Magna House, Omen, Boomerang), and at the same time he started working at the "Happy People" record store which gave him the chance to make a lot of contacts and getting hold of as many records as possible. At the time he got to know Dejan Milicevic and Milos Pavlovic at a party organised by the local radio station B92. Soon they became partners and started working together. It was 1996 when the "Teenage Techno Punks" (TTP) were born.

At 17 he bought his first pair of decks. TTP became resident at the famous Belgrade club Industria, playing back-to-back sets and discovering the pure thrill of techno. In both 1997 and 1998 marko got best-DJ-of-the-year award. He started travelling all over Serbia, Macedonia and Bosnia. In 1999 he played in Berlin (club Pfeffenberg). During the bombings Marko was loaded with bookings all over Serbia. In the year 1999/2000 he played over 500 gigs and was the first to play three and four deck sets.

he played with artists like: Charlie Hall, Eric Powell, Misjah, John Aquaviva, Space djz, Mark e.g., Umek, Billy Nasty, Valentino Kanzyani, Marco Carola, Rino Cerrone, Daz Saund, Johann Bacto, Gaetano Parisio, Richie Hawtin...

Marko has played all over the Eastern Europe in countries like Croatia, Slovenia, Hungary, Bulgaria, Slovakia, the Czech Republic and Germany. He also collaborated with many artists playing at festivals, fashion shows, galleries and creating just recently music for a performance "Shopping and Fucking" showing at a local theatre. Combining the various styles of house, techno, tech-house, tribal, electro he has developed a profound style of his own.

Many international agencies and artists were interested in collaborating with him but the situation in his Serbia simply didn't allow it. After spinning records for the last 8 years he wants to fulfil his goals by starting another career as a producer and has signed a contract with the labels "
Recycled Loops and Earresistable. Right now he is constantly busy at his "family nest" studios in downtown Belgrade.



BILLY NASTY has been DJing half his life; a career that has seen him spin professionally for over nearly fourteen years. He has continually travelled the world as one of the most in-demand techno/electro DJs, and has performed at the most prestigious events, and infamous clubs – across the globe. As a result, he has been one of only a handful of more ‘underground’ DJs who has consistently featured in the annual DJ Mag Top 100.

Billy is not, and has never been, just a DJ, though: he’s enjoyed an extensive recording career; runs three record labels widely-regarded by a broad range of DJs and record buyers alike; and also established a DJ agency, Theremin, that looked after the bookings of many of techno’s leading names, as well as nurturing new talent and allowing them to progress upwards through the ranks. Theremin closed last year, and, after signing up with the reputed DJ agency, Decked Out, Billy has now been granted additional time to concentrate on his labels and DJing.

Having spent a handful of formative, pre-house years, soaking up the rhythms of rare-groove, go-go and funk, Billy was already a committed DJ when house music exploded in the UK in the late eighties. He secured a job at the cutting-edge, Camden-based, Zoom record shop in the latter stages of 1989; this frontline job was extremely important and allowed Billy to regularly meet other prominent figures on London’s burgeoning club scene, as well as helping him to enhance his reputation as a DJ.

At the beginning of 1990, Billy took up his first residency at The Exploding Plastic Inevitable night (with accomplice and Lost founder, Steve Bicknell), at the legendary BrainClub in Soho. It ran for two and a half years with Billy playing a mixture of sounds and styles that proved a precursor to the progressive house scene that followed.

By 1991, Billy’s reputation behind the decks was such that he was invited to record the first mix for a new CD series entitled, Journeys By DJ. Seamlessly weaving between artists of the day – including Leftfield and Eagles Prey – Billy gained entry into the Guinness Book of Records for producing the first commercially-available DJ mix. Shortly afterwards, he undertook his first studio project when invited to remix St Etienne’s Join Our Club; he later accompanied the band, as tour DJ, on their 1992 Japanese tour.

Throughout 1992-93, so many bootleg mix tapes of Billy's were flooding the UK that they proved the ultimate marketing tool and resulted in requests for his presence at burgeoning nights nationwide, most notably: Venus, Renaissance and Back2Basics.

At the front of the pack when Progressive House boomed in ‘93, Billy's DJing schedule went through the roof. Besides being a regular at four of the most prominent clubs in London (The Drum Club, Open All Hours, Final Frontier, and Strutt), Billy began to reach wider audiences as he travelled the whole of the UK and undertook an increasing amount of European gigs. He enjoyed studio adventures with Dave Wesson (Zoom owner) as Shi-Take – who had a six-single career on the shop's in-house label – and also, future Chemical Brothers engineer, Steve Dub, as Vinyl Blair; the latter partnership led to releases on Leftfield’s recently founded Hard Hands label.

1995 saw Billy's workload multiply further still, to the extent, that, working at Zoom was no longer an option: he was now DJing 3-5 times a week in the UK and further afield. Such a hectic schedule required greater levels of professionalism and, it was with this in mind, that the Theremin DJ agency was launched; initially it looked after fellow UK DJs – Jim Masters, Mark Williams and Phil Perry – but European DJs were quickly added to the roster: Adam Beyer, Marco Carola, Umek, The Youngsters and Oliver Ho, as well as many others, would not be so widely regarded amongst UK clubbers if it had not been for their association with Theremin.

In 1996, with the airmiles continuing to stack up, Billy was nominated for best national DJ, as well as best Radio One Essential Mix, at the Muzik magazine awards. He also played peak-time sets at the seminal Tribal Gathering festivals in the UK and Germany.
Billy’s style had shifted dramatically by 1997 and he was now widely-regarded as one of the premier exponents of hard-edged techno. A second mix-CD – Race Data, released on the Avex label – documents this perfectly.

Due to frustrations with the number of UK labels championing the style of techno featured in his sets, Billy established his own imprint, Tortured, in order to provide an outlet for his favourite producers. A bi-monthly night, Open To Torture, at London clubbing mecca, The End, was established during the same period – it provided the perfect opportunity to showcase the talent directly involved with the Tortured label, as well as those linked by association: Adam Beyer, Umek and Marco Carola all played their debut London gigs at the night.

A fantastic year was enhanced further by, arguably, Billy’s greatest achievement – he became a father to the first of his two daughters.

1998 saw Billy's first expedition to the States: the Americans quickly warmed to him resulting in frequent return trips to venues in: Chicago, Detroit, Washington, San Francisco, LA, Toronto, Seattle, and also throughout Canada. The US expeditions ran concurrently with dates in the UK and Europe; Billy had become especially popular in Holland by this stage and was voted second most popular international DJ there in 1998.

In May 2000, Tortured released The Torture Chamber, Billy’s third mix CD, which showcased the label’s high-quality output. It was the first instalment in a series of Torture Chamber mixes and, two years later, the second volume followed: Slovenian DJ Umek contributed a three turntable mix-up of incredible intensity that perfectly demonstrated his jaw-dropping deck skills.

Umek also had the honour of launching Tortured’s sister label, Electrix. Electrix was established with the proviso of pushing boundaries and putting out “experimental electronica – encompassing everything from Maurizio-style dubby tracks through to straight-up, dancefloor-oriented 808 workouts”. The label quickly proved popular and is now regarded as one of the UK’s finest for dancefloor electro with support consistently forthcoming from Dave Clarke, Laurent Garnier, Andrew Weatherall and Freddie Fresh. Electrix was also a more natural home for album projects than Tortured and long-players from both Transparent Sound and The Advent now reside amidst a back-catalogue approaching 20 single releases in length.

In order to demonstrate his long-standing involvement with electro, Billy compiled his favourite electro tracks for his fifth mix CD, BN02, which was released on the trustthedj.com label in 2002; the first volume, BN01, which concentrated on techno, preceeded it.

The third of Billy’s labels, Painkillers, was established in 2002 – it acts as an outlet for remixes of tracks previously released on Tortured. The first release featured a Ben Sims remix of Ben Long’s Imperial Leather, as well as two Oliver Ho re-works of Umek tracks (recorded under his Mumps guise). Billy is currently working on releases two and three.

Four years after Billy’s first successful tour of the States, his deck skills took him even further afield: he has made several visits to Brazil and Columbia, both of whom have burgeoning techno scenes that proved a real inspiration, as well as an Australian expedition that took in Singapore’s world-renowned Zouk club on the way.

2003 saw Billy look to establish Tortured as more than just a label with parties held under the Tortured banner worldwide: the first took place at the Miami WMC, followed by a session at New York’s Arc. The label also hosted tents at the Impulse and Dance Valley festivals in Holland.

Now in 2004, with Tortured and Electrix both well established, and after nearly fourteen years as a professional DJ, Billy can boast a diary busier than ever before. He continues to turn his back on the cash-lined path, preferring instead to play for appreciative, knowledgable crowds worldwide.
Flyer:
-
Region: London
Music: Trance. Acid Trance. Tech Trance. HardStyle. Prog House. Acid Techno. Deep Techno. Funky Techno. Techno. Breaks.
DJ's: ACID TECHNO

Kristina
KAI_1 (section63)
Marcello Perri vs DJ Redmond (hydraulix-manik)
James Kinetec vs Thermobee (kinetec records)
Chris Liberator vs Giselle (stay up forever)

TECHNO

Anphibian vs DJ knight's (mfmsound-N.N.sound)
Mark Axel vs Marco Lenzi (mfmsound-molecular)
D.A.V.E. the Drummer vs Fabsid (mfmsound-Apex)
MARKO NASTIC (recycled loop)
SERBIA-MONTENEGRO
3 decks special set

ELECTRO MINIMAL

BILLY NASTY present a special 3 hr electro set
supported by FUTURE SHOCK
Rho Gany (future shock)
Syber Symon (future shock)

Who's Going? (10) : Arek, cheerio, dimitry, Disco Diva, J4mes, mark axel, MIRKO MFM SOUND, Neil English, sunvisordude, Whatever!! 
  Saturday 29th April 2006
SpangledZooProject
Alex Kidd & Guests
Raindance
Logic & Antiworld: Break the System Down
Breaksnorter
Eyecon
MUSIC FACTORY
Harderfaster BankHoliday Dinner & Drinks
Riot! in Amsterdam / I Love Hardhouse
accelerated bpm@the city
Together
Holland House: Go Dutch
Sunrise
I Love Riot! Street Rave - Amsterdam
XSTATIC
Concept
Psychedelic Spring Ball - 24 hr
enlightenment
ROOTS
Residentclubber.co.uk presents Deluxe
a hUJe return to the George
Frequency Presents Lisa Pinup

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